Steven Soderbergh's experimental camerawork drives the first-person perspective in Presence, and results in an unsettling ...

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...

Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...

I need to be scared of something,” Steven Soderbergh tells me as we sit down to discuss his new film, Presence. “Every movie ...

The inventive director embraced POV filmmaking on “Presence,” his haunted-house film shot from the spirit’s perspective.

A few years ago, there was a ghost in Steven Soderbergh ... play out like vignettes, with cuts to black in between each one — “like mini plays,” Soderbergh says, each revealing more ...

NEW YORK (AP) — Steven Soderbergh isn’t just the director ... I was the one going: “Cut. I f—ed that up. We got to go again.” AP: You made this quickly and inexpensively, and then ...

LONDON — Steven Soderbergh ... there’s nothing to cut to,” he said. “So you would drop that expectation.” To hedge against a visually fatigued audience, Soderbergh also advised Koepp ...

Steven Soderbergh isn’t just the director and cinematographer of his latest film. He’s also, in a way, its central character.

NEW YORK (AP) — Steven Soderbergh isn’t just the director ... I was the one going: “Cut. I f—ed that up. We got to go again.” AP: You made this quickly and inexpensively, and then ...