In The Mobile Image from Watteau to Boucher, art historian and curator David Pullins masterfully interrogates the status of the image as an object in eighteenth-century French art.

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An exhibition at the Hammer Museum shows why. By Siddhartha Mitter A jury found them guilty of conspiring as part of a crew to steal art, sports memorabilia and artifacts from smaller museums.

After completing his studies at the American Academy of Art in Chicago, Elvgren worked for several advertising agencies before becoming a freelance artist in the late 1930s. His work quickly gained ...