Corbet: But artists are sort of juvenile. One has to hold on themselves across so many decades; there is a part of every artist I’ve ever met that has just never changed. I remember working with ...

That evening, Corbet was good company ... the making of The Brutalist mirrors the film’s key theme: an obsessive artist drawn to completing his masterpiece, even if it damages him and those ...

The daughter of the Limerick man killed by Molly Martens and her father gives her side of the story in a powerful, ...

The Brutalist encapsulates the artist's struggle to control their project ... only the third feature-length outing for director Brady Corbet. What’s even more astonishing is Corbet’s career ...

The film has one question that asks itself again and again: Who owns art? Corbet leaves us with two answers, one practical and one moral. Morally, art is handled by the artist and the artist alone, ...

Brutalism emphasizes massiveness, challenging lightness. There is an almost tedious anchoring in brutalist architecture, a ...

Crawley and Corbet discussed their desire for an "archival quality" to the imagery, aiming for a period-authentic look that feels both timeless and tactile. Inspired by photographers such as Saul ...

The College-Conservatory of Music production of Benjamin Britten’s “A Midsummer Night’s Dream,” which opened March 6 in ...

“I've been an artist for 20 years now,” Blumberg said in his acceptance speech. "And when I met (director) Brady (Corbet) I met my artistic soulmate.” Corbet’s “The Brutalist” follows Lázló Tóth, a ...

Two out of the three Welshmen nominated for Oscars came out victorious Sunday night, with 'The Brutalist' cinematographer Crawley thanking his friends back in Wales.

Watch scenes from the performances nominated for best actor at the 97th annual Academy Awards, as well as interviews with the nominees.