Curator, Christophe Cherix: In Cut Piece, members of the audience were invited to approach and cut away pieces of Ono’s clothing, as she knelt silently on a stage. Yoko Ono: When I do the Cut Piece, I ...

Michelle Kuo: The NFT craze—which erupted with the $69.3 million sale of the artist Beeple’s Everydays: The First 5,000 Days last month at Christie’s—clearly touches a huge nerve within the art world, ...

The Los Angeles fires brought back to my mind a conversation with Betye Saar about some of the very first etchings she made at home, right out of college. These prints often show charred vegetation ...

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In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

We use our own and third-party cookies to personalize your experience and the promotions you see. Our site uses technology that is not supported by your browser, so ...

Curator, T. Lax: Before you is a zine made by the artist, Kandiss Williams, who runs Cassandra Press in Los Angeles. It's a reprint of the essay "Venus in Two Acts" written by cultural historian ...

One morning in the summer of 1952, Matisse told his studio assistant and secretary Lydia Delectorskaya that “he wanted to see divers,” so they set out to a favorite pool in Cannes. Suffering under the ...

GLENN LOWRY: By the 1970s, performance art had achieved a level of notoriety and even acceptance. However, because many artists used their bodies aggressively in their performances, it was often ...

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

MARINA ABRAMOVIĆ: In The Artist is Present, I perform every day for three months. The performance is really about presence. You have to be in the here and now, 100 percent. GLENN LOWRY: Marina ...